Peter Jacksonâ€™s decision to shoot The Hobbit at 48 fps instead of 24fps has started an interesting debate. After the first previews, some viewers voiced concern over the different movie experience, while other movie people have publicly applauded the decision.
The Hobbit at 48fps starts debate
Today, all movies are shot at 24 frames per second but Peter Jackson wants to try something new. We first told you about Peter Jacksonâ€™s plans to shoot The Hobbit at 48 fps instead of 24fps last year. Peter Jackson has now screened the first demonstrations at CinemaCon, which has started a debate over the true benefits of higher frame rates.
The Hobbit is the first cinema-format movie to use the 48fps format instead of 24fps
After the presentations, viewers voiced concerns about the drastic changes to the movie experience. When going from 24fps to 48fps, moving images look smoother and less â€ťfilm-likeâ€ť, it has been argued. Film critics have also shared their first impressions at Twitter.
- â€ťSaw the 10 minutes of raw The Hobbit footage in 48FPS 3D. Intriguing, the footage looks amazing, but the 48FPS experience is an odd change,â€ť via Twitter.
- â€ťGreat Scott, THE HOBBIT in 48 frames-per-second is a thing to behold. Totally different experience. Not all will like the change.â€ť via Twitter.
- â€ťHereâ€™s what The Hobbit looked like to me: a hi-def version of the 1970s I, Claudius. It is drenched in a TV-like — specifically â€™70s-era BBC — video look. People on Twitter have asked if it has that soap opera look you get from badly calibrated TVs at Best Buy, and the answer is an emphatic YES,â€ťvia Badassdigest.com.
Peter Jackson is using Red Epic cameras with 5K resolution for shooting
Peter Jackson defends his decision and told Entertainment Weekly that, - â€ťat first itâ€™s unusual because youâ€™ve never seen a movie like this before. Itâ€™s literally a new experience, but you know, that doesnâ€™t last the entire experience of the film – not by any stretch, just 10 minutes or so. You settle into it,â€ť
Support from the industry
The move to 48fps is also applauded by another camp. Douglas Trumbull, who has worked on effects in 2001: A Space Odyssey and Blade Runner, is thrilled and says - â€ťjust thrilled that Peter Jackson has done The Hobbit in 48 frames. Itâ€™s definitely a fabulous and brave step in the right directionâ€ť, according to Entertainment Weekly.
However, Trumbull also says that he thinks a combination of 48 and 24fps material is the ideal solution. 24fps is still best for close ups while 48fps is best for action scenes.